Joe Carnahan's Sizzle Reels For His Daredevil Movie That Won't Happen

Fox has been trying for several months to get a Daredevil reboot off the ground.  They recently brought in director Joe Carnahan to develop the project but it still didn't get off the ground.  Now the film rights at Fox have expired and Marvel Studios will now retain the rights for future film versions of Daredevil.  In the mean time, Carnahan shares some details about what happenned, as well as two sizzle reels he put together to sell the film to Fox.

     "I was brought in pretty late in the game, and my take probably didn’t help matters since they had an existing script. But I just thought that if you were going to do it, this was the way to go. This is the way that intrigued me...It was initially something I passed on because Christopher Nolan had done such a lovely job with Batman and unless you’re going to go after that trilogy, then that’s how you have to think. You can’t out-hurdle that, then what’s the point of trying? So it set the bar extraordinarily high, and I thought ‘Well, if we’re going to do this, let’s have a discussion about Hell’s Kitchen, and how it was really Hell’s Kitchen in the 70s,” so that got me really excited. But as I mentioned, the clock ticking and this kind of October drop-dead date, it wasn’t tenable. And having gone down this road in the past when you’re trying to write something and shoot it at the same time is disastrous, and I think you’d need an adequate amount of time to put that script together in the right way. My brother [Matthew Michael Carnahan (The Kingdom)] was interested in writing it with me, so we’ll see."
      "As I’m finishing my kind of reimagining of Death Wish, I think the 70s is figuring into my conscious and subconscious mind right now. I think it was the last time music and movies were just tremendous. We just cranked out some great stuff. I think that’s why the sizzle reel is able to be kind of abstract because people have such great fondness in their hearts for that decade, particularly the early part of that decade. I’m excited; you know the idea of having Daredevil on top of a building somewhere with the Serpico marquee in the background was enough, that image was enough, for me to want to make the movie."




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